"Scorsese+on+scorsese"

Scorsese on Scorsese

Scorsese on Scorsese

Martin Scorsese discusses his personal background and his filmography as they relate to each other.

Nataly Fish

Un voyage avec Martin Scorsese à travers le cinéma américain

Un voyage avec Martin Scorsese à travers le cinéma américain

Martin Scorsese, célèbre réalisateur américain, énumère les films américains qui l'ont marqué et qui ont influencé son œuvre. Son voyage à travers le cinéma commence au début du siècle pour se terminer en 1969, date de son premier film : Who's That Knocking at My Door.

Nataly Fish

Rolling Thunder Revue : A Bob Dylan Story by Martin Scorsese

Rolling Thunder Revue : A Bob Dylan Story by Martin Scorsese

En véritable alchimiste, Martin Scorsese mélange les mythes et la réalité pour évoquer la tournée Rolling Thunder Revue de Bob Dylan, dans l'Amérique en mutation de 1975.

Nataly Fish

Martin Scorsese: Back on the Block

Martin Scorsese: Back on the Block

Martin Scorsese, discusses the locations and personalities that inspired the film, in a promotional short for the film "Mean Streets."

Nataly Fish

Martin Scorsese on Framing

Martin Scorsese on Framing

Martin Scorsese in 1990 talks to T.J. English

Nataly Fish

Martin Scorsese On Taxi Driver

Martin Scorsese On Taxi Driver

Mr. Scorsese does a brief deep dive into the making and production of the film

Nataly Fish

In Search of Kundun with Martin Scorsese

In Search of Kundun with Martin Scorsese

La rencontre de Martin Scorsese avec le peuple tibetain et son chef spirituel le dalai-lama. Ce film nous transporte sur le tournage de "Kundun", au Maroc.

Nataly Fish

Notes on an American Film Director at Work

Notes on an American Film Director at Work

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Nataly Fish

Movies Are My Life

Movies Are My Life

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to hi..

Nataly Fish

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