"Coda"
Vivre, c'est pas pour les lâches
A la mort de son épouse, Markus se retrouve seul pour élever sa fille, Kim. Comment le veuf et l'adolescente gothique parviendront-ils à retrouver une vie normale ? La situation paraît sans espoir : la jeune fille se renferme sur elle-même et Markus est au bord de la dépression. Gerlinge, la grand-mère, s'efforce de préserver le cadre famil..
Peter le chat
Peter, un chaton sauve de la noyade, est adopte par une famille de citadins. Mais Peter n'est pas un chaton comme les autres car face a ses semblables, il prend la defense des souris, des rats et des herissons.
Un lâche
Un déserteur doit faire face à sa lâcheté lorsqu'il se retrouve chargé de livrer des renseignements mettant en cause l'ennemi.
23rd Psalm Branch: Part II
The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
Chimp & Zee
A hunter goes into the jungle to capture a rare blue-tailed simian. That's when he sees Chimp, who happens to be the blue-tailed creature he's hunting for...
Le gentil petit loup
Le vrai petit neveu du Grand Méchant Loup a appris à l'école que son oncle était le monstre qui avait fait sauter les maisons des Trois Petits Cochons et il a honte que son oncle ait pu commettre un tel acte, alors son oncle lui raconte ce qui s'est VRAIMENT passé.
Those we left behind.
It's the year 2378. 30 Years ago the planet earth was deemed unlivable. Following all humans were shuttled off to bases on Mars. Yet some remain on the planet earth, living with gas masks, preserving what is left of the forgotten planet. When an Astronaut crash lands back on earth, he must work together with these people to repair his ship...
The Bronze Bell
In the 1850s, a young prince in India promises his dying father he will lead a revolt against the English colonial masters of India. However, since he is half-European himself, he can't bring himself to do it and flees to America, to live in obscurity. He finds, however, that he can't outrun his obligations
Triptych
Originally intended as a four-room media installation, allowing the viewer to "live" the film, come and go, Michael Pilz's essay about South Styrian painter Gerald Brettschuh was adapted to one 751 minutes sequential documentary with three parts and an epilogue. Part 1: The Use of Bodies, Part 2: As-If-Not, Part 3: The Party, Epilogue: Coda
