"El+día"
The Day of the Dead
Based on true facts, a gang of suburban kids is sport-killing home-less people just for fun in the streets of Chicago. One day, they decide to try a new excitement, by murdering a young Mexican working girl, assuming there would be no consequences since she was illegal. They were wrong…
El día que murió Pedro Infante
Mexican feature film
Our Daily Hunger
Trophy wife of a crooked industrialist meets a philanthropic doctor and develops a social conscience. Mexican remake of Born Yesterday.
When the Mountain Rumbles
Three ageing brothers must face an uncertain future and the inevitable end to years of self-imposed isolation as the abandoned village of Escó in Spain, where they have lived all their lives, faces its second threat of extinction.
El día de la boda
The love affairs of two couples, modern parents a couple of troubled teens.
En el día menos pensado
Two couples see their lives transformed after the tragedy of losing a child. Both families face the loss in their own way, allowing feelings of guilt, deny, and jealousy to surface, until family disintegration is almost inevitable.
El Día de la Preñota
Short film by the Bombaiii Films team.
El día que me callé
Victor was victim of a violent attack during the government of León Febres Cordero in 1987. More than 30 years later, he decides to free himself from the weight of the secrets and ghosts that has carried for many years and speak out.
El día de mi boda
My Wedding Day - whay could go wrong?
El hombre del medio día
In Rotuno, within the protected area of the Rio de Janeiro Protocol, 40 men armed with blowguns and weapons begin their wedding rites, never before filmed, for the Sarayaku festivities. Yaku, who returns to his land after many years, goes on an epic journey where he must share hallucinogenic drinks, go hunting in total darkness, make his crown of f..
El cine de cada día
It is a documentary that shows the work of film workers in the different areas of distribution and exhibition that allow films to reach viewers. In addition, it testifies to the preferences of the cinematographic public in the years of 1983.
